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Being Music Supervisor means making two decades of experience available to production houses, broadcasters and companies in Italy, one in music and the other in audiovisual communication, and ensuring that both can coexist in a single role, to help writers and Italian directors in choosing the right music or, better yet, in defining the ideal musical landscape for their film, documentary, advertising campaign or television series.

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Being a Music Supervisor means going beyond the concept of musical consultancy to take care of all the most delicate, creative and productive aspects of the spell that unites images and sound. For this reason, the desire and time to listen to and get to know as much music as possible (both published and from libraries), in-depth knowledge of the phases, costs and times of writing, composition, production, mixing and finalization of a song are fundamental. musical.

But you also need the ability to team up with very different production teams, as well as a network of contacts with professionals in the music and licensing sectors such as publishers, record companies, composers, musicians, arrangers, recording studios, singers and authors. An aptitude for problem solving and reporting is essential and, finally, a bag full of ideas and solutions, to be explored and shared with screenwriters, directors, copywriters, editors, sound technicians and producers who contribute to the growth of the film industry and Italian television.

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Choosing a Music Supervisor is crucial to live up to the expectations of the artistic, cinematographic and television contexts, Italian and international, but also of the current audiovisual market, which expresses itself through broadcasters, On Demand platforms and independent distributors .

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